IVAYLO ALEKSANDROV, PhD
ARCHITECTONICS OF THEATRICALITY
THEATRICAL PERFORMANCE IN А SEMIOTIC PERSPECTIVE
Prosveta Publishing House, Sofia, 2012
ISBN: 978-954-01-2696-8

contents-architectonics-of-theatricality

CONTENTS

THE THEATRE OF THE DAY BEFORE (THE TEXT, THE PERFORMANCE, THE SEMIOTIC PERSPECTIVE) by Prof. Dr. Sc. Miroslav Dachev / 4

PREFACE by The Author / 21

INTRODUCTION
Ornaments Referring to One Semiosis of Thѐatralitѐ / 25

PART I
THEATRICALITY AND SEMIOTICALITY
Signs and Sign Configurations – The Performance Environment as Signifier / 41
Semantics of а Transformation – Stage figure within the Context of Performance  / 54
Theatre Communication and Theatre code – Freedom of Signification:
The Spectator as Apologist of the Meaning / 61
Reflection of the Domination – The Sign as Presence/Absence / 71
Linguistic and Paralinguistic Interaction – Sign Transmission,
Representation, Active Convention / 77

PART II
PERFORMANCE AND SIGNIFICATION
The Performance as aTheatre Text – Morphology of Discourse / 85
An Actor in the Stage Space – Semantics of Transformation / 98
Semiotics of the Stage – Me within the Stage Space / 112
Мise-en-scéne – The Representative Convention of Performance / 122
Phenomenology of Playing-of-Lies – Incorporation of Theatre Representation with the Architectonics of the Performance – Instead of Conclusion / 134

SUMMARY
The Theatrical performance in a semiotic perspective / 150

SUPPLEMENT
Derrida-Artaud. The extreme economy of difference or the understated word of alienation. Theatre of Cruelty and the radical purity of God’s exodus. / 162

BIBLIOGRAPHY/170
ARCHITECTONICS OF THEATRICALITY (SUMMARY) / 177
ACKNOWLEDGEMENTS / 190

ABOUT THE BOOK (BG) > HERE
SUMMARY OF THE BOOK (EN) > HERE

ABOUT THE AUTHOR (EN) > HERE

BOOKSTORES > HERE

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