ARCHITECTONICS OF THEATRICALITY

Ivaylo Alexandroff

IVAYLO ALEXANDROFF, PhD

ARCHITECTONICS OF THEATRICALITY

THE THEATRICAL PERFORMANCE IN А SEMIOTIC PERSPECTIVE

Prosveta Publishing House, Sofia, 2012, ISBN: 978-954-01-2696-8

 CONTENTS

THE THEATRE OF THE DAY BEFORE (THE TEXT, THE PERFORMANCE, THE SEMIOTIC PERSPECTIVE) by Prof. Dr. Sc. Miroslav Dachev / 4

PREFACE by The Author / 21

INTRODUCTION

Ornaments Referring to One Semiosis of Thѐatralitѐ / 25

PART I

THEATRICALITY AND SEMIOTICALITY

Signs and Sign Configurations – The Performance Environment as Signifier / 41

Semantics of а Transformation – Stage figure within the Context of Performance / 54

Theatre Communication and Theatre code – Freedom of Signification: The Spectator as Apologist of the Meaning / 61

Reflection of the Domination – The Sign as Presence/Absence / 71

Linguistic and Paralinguistic Interaction – Sign Transmission, Representation, Active Convention / 77

PART II

PERFORMANCE AND SIGNIFICATION

The Performance as aTheatre Text – Morphology of Discourse / 85

An Actor in the Stage Space – Semantics of Transformation / 98

Semiotics of the Stage – Me within the Stage Space / 112

Мise-en-scéne – The Representative Convention of Performance / 122

Phenomenology of Playing-of-Lies – Incorporation of Theatre Representation with the Architectonics of the Performance – Instead of Conclusion / 134

SUMMARY

The Theatrical performance in a semiotic perspective / 150

SUPPLEMENT

Derrida-Artaud. The extreme economy of difference or the understated word of alienation. Theatre of Cruelty and the radical purity of God’s exodus. / 162

BIBLIOGRAPHY /170

ARCHITECTONICS OF THEATRICALITY (SUMMARY) / 177

ACKNOWLEDGEMENTS / 190

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ADDITIONAL INFORMATION

ABOUT THE BOOK (BG) > HERE

SUMMARY OF THE BOOK (EN) > HERE

ABOUT THE AUTHOR (EN) > HERE

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